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PRI's Environmental News Magazine

August 12, 2005

Air Date: August 12, 2005

FULL SHOW

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SEGMENTS

Targeting Genes to Understand Behavior / Sheri Quinn

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Physical attributes like hair color and skin tone can be traced to the expression of certain genes in our DNA. But, what about behavior? As reporter Sheri Quinn finds, researchers at the University of Utah may have discovered a genetic link to obsessive compulsive disorder. (09:00)

Living Toxic / Katherine Mieszkowski

(stream / mp3)

Katherine Mieszkowski, a senior writer at the online magazine, Salon dot com, explains why her body has become a toxic waste site. (03:40)

Nature Noir

(stream / mp3)

When Jordan Fisher Smith first became a park ranger; he was motivated by the teachings of Thoreau and the ideals of the park system. Little did he imagine the park he would patrol for 14 years would be a virtual Wild West, where miners and guns, not hikers and backpacks, were the norm. Host Steve Curwood talks with Fisher Smith about his new memoirs, Nature Noir: A Park Ranger's Patrol in the Sierra. (09:00)

Beetle Mania / Paul Ingles

(stream / mp3)

A sound artist in New Mexico has devised a unique way to save drought ridden pinon trees from falling under attack from the bark beetle. David Dunn listens to the tree to see if it's infested. Paul Ingles reports. (08:00)

Emerging Science Note/Eye-Catching / Max Thelander

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Living on Earth's Max Thelander reports on a study that finds exactly what's going on in the very eye of a hurricane for the first time. (01:20)

Life After Cod / Chris Brookes

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A rare look from inside a community that has lost its longtime reason for being. Newfoundland producer Chris Brookes listens to what was lost and what has remained in two communities since the disastrous over-fishing of the region’s Atlantic cod. (15:30)

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Show Credits and Funders

Show Transcript

HOST: Steve Curwood
GUESTS: Katherine Mieszkowski, Jordan Fisher Smith
REPORTER: Sherri Quinn, Paul Ingles, Chris Brookes
NOTE: Max Thelander

[THEME MUSIC]

CURWOOD: From NPR, this is Living on Earth.

[THEME MUSIC]

CURWOOD: I'm Steve Curwood. For as long as anyone can remember, cod was king in the Canadian Maritime province of Newfoundland. Then, about a dozen years ago, the fishery collapsed, taking with it thirty thousand jobs and a way of life. Many people left the island. Others stayed to make a living through tourism, but now wonder if they’re selling out their heritage.

KIERLEY: You can get all nationalistic about it, and say, well, Newfoundland is not for sale. Go home, filthy tourist maggots. This is ours. It’s not a souvenir. And there’s a lot of people who are like that.

CURWOOD: But not all. Other islanders say: adapt or die.

MAN: We had fish one time. We had employment. We got tourists now. We’re fishers of people basically now, rather than fishers of cod.

CURWOOD: Life after cod, and more – this week on Living on Earth. Stick around.

[MUSIC UP AND OUT]

[NPR NEWSCAST]

ANNOUNCER: Support for Living on Earth comes from the National Science Foundation and Stonyfield Farm.

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Targeting Genes to Understand Behavior

Dr. Mario Capecchi developed the revolutionary technique of gene targeting. (Photo: Courtesy of Eccles Institute of Human Genetics)

CURWOOD: From the Jennifer and Ted Stanley Studios in Somerville, Massachusetts, I’m Steve Curwood with an encore edition of Living on Earth. Short or tall. Dark or light. Male or female. Just about everything physical that distinguishes one human being from another is determined by our genes. Our genetic code is so complex that if it were stretched out in a single line, the DNA that makes up our genes would reach the sun and back hundreds of times. But our DNA is actually in more of a tangle, and it once seemed impossible to pick out a single strand, let alone discover its role. But in the late 1980s, geneticist Mario Capecchi developed a technique called gene targeting that lets scientists find specific genes and change them within living mice. And now researchers at the University of Utah using this technique have engineered a mouse that may help us understand how genes may be directly linked to certain human behaviors. Sheri Quinn has our report from Salt Lake City.

QUINN: Christina Pearson is paying close attention to a certain group of genetically engineered mice at the University of Utah. She believes discoveries recently made there might change her life.

PEARSON: When I would pull my hair I would feel for a certain texture, I would feel for a certain sensation, a certain type of hair and then when I found the one that worked, it was if I had found gold and my nervous system would just light up.

QUINN: Pearson has trichotillomania. It’s part of a spectrum that includes obsessive compulsive disorder, or OCD. Those afflicted are obsessed with pulling their hair out. But Pearson thinks this behavior is part of her inner core, locked into every cell of her body.

PEARSON: The urge to pull my hair was as strong as the urge to breathe. It felt like if I didn’t pull my hair that I was suffocating. It was as if I was in a pool of water drowning, and struggling for air. I tried drinking myself into black outs because I found if I could black out and fall asleep, I wouldn’t pull my hair. If we could develop an animal model it might helps us make sense and come up with treatments for human beings so they don’t have to go through the 30 years of hell that I went through.

QUINN: Researchers at the University of Utah might just have such a model. But in order to understand why this work is happening here, we have to understand the work of a World War II refugee who became an American scientist. Mario Capecchi was born in Verona, Italy in 1937. When he was four, his mother was sent to the concentration camp Dachau for posting anti-fascist pamphlets. Capecchi survived by begging and stealing. Hunger, he says, helped form him.



Dr. Mario Capecchi developed the revolutionary technique of gene targeting. (Courtesy of Eccles Institute of Human Genetics)

CAPECCHI: If you are going to survive, things aren't going to work out every time. You go after a certain source of food and sometimes things don’t work out and you don't get food that time and so then you have to persist and try and try again. You have to set your own inner determination to be able to go after things and that's sort of a doggedness that is important also for survival.

QUINN: Capecchi's mother was released from Dachau five years later. She searched for her now nine-year old son for over a year and found him ill with typhoid in an orphanage hospital. A few days later she brought him to the United States and Capecchi began to thrive. He grew up on a Quaker commune then went to Harvard where he eventually came to know the famous biologist James Watson, the man who together with Francis Crick had discovered the structure of DNA.

CAPECCHI: If you work in a field where lots and lots of people are working in that particular area then it does not make a big difference whether you do it or you don’t do it. That science will be done. And I’d rather work on something that I feel I can uniquely contribute to.

QUINN: Capecchi taught at Harvard Medical School. But in 1973, he moved to the University of Utah. Colleagues thought he was crazy to leave Harvard. But the University of Utah had begun to build a reputation as a goldmine for human geneticists, thanks to the Church of Jesus Christ of Latter Day Saints, or Mormon Church, which keeps detailed genealogical records of its large families. At the University of Utah Capecchi spent a decade developing gene targeting. Scientists already knew how to insert altered DNA into cells. But out of thousands of cells, typically only a few will incorporate that altered DNA. The challenge was to identify which ones.

CAPECCHI: And so, if that could happen then that would allow us essentially the ability to change any gene we wanted in any way conceivable.

QUINN: Bob Horvitz is a Nobel- winning MIT biologist who is well acquainted with Capecchi’s work.

HORVITZ: With Mario there is now a technology that allows the analysis of any gene in the genome. And it is the difference between night and day. No, it is much more than that. It’s truly a revolution. It has led to kinds of experimentation that would have been unthinkable not very many years ago.

[SCRATCHY, SCREECHY SOUND]

QUINN: This is the sound of a tiny mouse embryo, the size of a grain of rice. Once scientists see which mouse cells have taken up the new gene, they place them into an embryo that will continue to grow into a mouse. They are called knockout mice because a gene has been knocked out and replaced. With a bit of luck, when they grow up, some of these knock out mice will transmit the new gene to their offspring.

[METAL SOUNDS]

QUINN: Capecchi’s 13-thousand mice are kept in a facility called the mouse house. They're cared for by a crew of biologists, former veterinary techs and pet store workers. Fred Beasley and Adine Marston often witness strange grooming behavior, and they too wonder what the research could reveal about ourselves.

FRED: Some mice like to groom themselves in interesting ways, make neat little patterns on their fur.

JUNE: Uh-huh. I had a cage where 11 other mice had a little rainbow shape above their left eye, every single one of them except for the one that was doing the grooming.

QUINN: Watching mice grooming, it’s hard to imagine that a single gene could control such a complex behavior. But geneticist Joy Greer, a former graduate student in Capecchi’s lab, replaced a normal copy of a gene called HOXB8 with a defective one. She was expecting to study limb deformities. Instead, she noticed the mice started grooming to the extreme. They stayed awake to do it. It looked to her like a form of OCD, obsessive compulsive disorder.

GREER: Oh, it was totally unexpected. Basically, I noticed that these mice had these huge bald patches and I had to find out why and while I was analyzing the video tapes it became very clear that what was happening was that the mice were removing their hair while they were grooming themselves.

QUINN: HOXB8 is a member of a large family of genes, collectively called the HOX genes which are mostly known for their role in designing the general body plan from flies to humans. So finding that a HOX gene could be involved in a behavior was a thrilling discovery.

GREER: And this, as far as I’m aware, is the only HOX gene that has been implicated in behavior.

QUINN: It’s one thing to make comparisons between mice and humans when studying disease. But studying mouse genes to understand human behavioral disorders is new.

GREER: I think that these animals could provide a good animal model of repetitive behaviors. Whether or not it will be directly linked to OCD still remains to be seen.

QUINN: Since mice and humans have nearly identical genes, Greer and Mario Capecchi are now looking at people with the hair-pulling disorder to see if they can find the same gene defect they found in mice. It’s unclear how common trichotillomania is, but it’s not rare. It seems to cluster in families. Christina Pearson says most hair pullers aren’t aware of it in their family history.

PEARSON: The problem with a disorder like this is that if your great grandmother had trichotillomania , you probably wouldn’t know it because it’s still hard for people to talk about today.

QUINN: In the 1970s, when sufferer’s dared to seek help, doctors viewed them as psychotic. But now Christina Pearson is proud to be director of the Trichotillomania Learning Center with 32,000 hair-pulling members.

PEARSON: It is amazing the stories that I’ve heard. One father said to me he was beating his daughter with a belt and she was lying there on the floor, saying, “Daddy, it won’t help, it won’t help.” I’ve talked to the mothers of young women who have killed themselves, okay, put guns in their mouths because they could get no help.

QUINN: It's now been several years since Pearson has pulled her hair out. She uses medicine, therapy and group support to fight the urge.

Since the late 1980s, gene targeting has spread to thousands of laboratories throughout the world. Scientists use it to investigate the mechanisms that instruct a gene to make a limb or a wing, a hand or a paw, a behavior, even a memory. For Living on Earth, I’m Sheri Quinn in Salt Lake City, Utah.

Related link:
Dr. Mario Capecchi faculty info

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Living Toxic

CURWOOD: High levels of mercury have been showing up in many species of seafood, and the people who eat them, including commentator Katherine Mieszkowski

MIESZKOWSKI: Too bad Superfund is bankrupt. Because I recently discovered that I am a toxic waste dump. I'm a walking, talking contamination site whose mercury pollution level exceeds federal health guidelines for a woman my age. And, depending on your taste for big carnivorous fish, like shark and albacore tuna, you too could be swimming with the stuff.

As part of a study being conducted for Greenpeace, anyone can get their mercury level tested for 25 dollars. When my own mercury test kit arrived in the mail, I enlisted a co-worker to play the role of medical assistant/hair stylist. She cut a hair sample from the back of my head close to the scalp.

I really wasn't worried. I was curious, but I don't eat that much fish. So, after I mailed the sample to a lab at the Environmental Quality Institute at the University of North Carolina-Asheville, I promptly forgot about it.

Then, a few weeks later, I found out that I am contaminated. My results came back as 1.08 micrograms of mercury per gram of hair, just over the threshold of 1 part per million that's considered safe. And I am not alone. In preliminary results, the study found that 21 percent of women in their reproductive years exhibited mercury levels that exceed federal guidelines.

I rationalized that since I'm just .08 over the limit, it isn't really that big a deal. But when I called the director of the Environmental Quality Institute, which did the testing, he told me: "If you have a level above 1, it's definitely a cause for concern."

Mercury can put a developing fetus or nursing child at risk for brain damage. Children born with high levels of mercury can have learning disabilities, lower IQ, and behavioral problems, like sluggishness. The mom need not have any symptoms whatsoever to exhibit levels that could harm a child.

The largest manmade source of mercury pollution is the coal-fired power plant, which puts the toxin squarely in the middle of energy politics. The Bush administration is poised to issue new guidelines for regulating mercury pollution in March 2005. But some environmentalists argue their proposed measures won't cut the pollution quickly enough.

If you're concerned about mercury, the EPA suggests you leave big predatory fish, like shark, swordfish and tilefish, out of your diet completely. You're also supposed to limit your intake of other fish and shellfish to about 12 ounces a week -- about two average meals. Albacore tuna is typically higher in mercury than light canned tuna, so limiting albacore to once a week is also advised. Especially recommended are salmon, catfish and shrimp, which all have "decent amounts" of omega-3 fatty acids and relatively low mercury levels.

But watchdog groups challenge the EPA's guidelines as not aggressive enough, suggesting that they subject women and their fetuses and young children to too much risk, while pandering to the fish industry.

Still, the best way for me to get my levels back down into the no-worry zone is to change the fish I eat. And the good news is I can actually get rid of some of that mercury. When people stop eating contaminated fish their levels can drop in just a few months. So, I am cutting back on those tasty carnivores, and I plan to get another test early next year. Let's hope I'm no longer toxic.

CURWOOD: Katherine Mieszkowski is a senior writer at the online magazine Salon.com.
[Andrew Bird’s Bowl of Fire “Beware” from ‘Oh! The Grandeur’ (Ryko - 1999)]

CURWOOD: Coming up: A modern day lone ranger takes on the bad guys in good lands. Keep listening to Living on Earth.

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[Michael Schatz “All Full Up” from ‘Banjo Music’ (Rounder-1992)]

Nature Noir

Author Jordan Fisher Smith (Photo: Jim Herrington)

CURWOOD: It's Living on Earth. I'm Steve Curwood. Before taking up his patrol of the American River in northern California, Jordan Fisher Smith thought being a park ranger was an idyllic and rather noble calling, rooted in the theories of preservation and the spirit of Henry David Thoreau. Little did he know that the park he wound up patrolling for the next 14 years was less a destination for nature lovers and more of an escape for armed convicts, sociopaths and miners, desperate for one last strike of gold. Still, Jordan Smith and his fellow rangers stuck to their handbooks, trying to preserve the land even the federal government had written off. His book is called “Nature Noir: A Park Ranger's Patrol in the Sierra,” and he’s with us. Jordan, hello.

SMITH: I’m delighted to be with you, today.

CURWOOD: Now, as you describe in your book, you arrived at the American River of the Sierras, with an idyllic view of the kind of land that rangers were meant to protect. What did you see first when you stepped onto this territory?

SMITH: Well, I think it was the strangest park I’d ever seen. It was the inverse of what I understood as a national or state park. This area that I came into, the American River, the north and middle fork, these 48 miles of canyons, was designated by no less than the authority of the United States Congress to be drowned forever under a huge dam. The United States Bureau of Reclamation that had been the author of this dam had bought up some 42,000 acres from either willing sellers or condemned ranchers and miners and homesteaders that lived there and evicted them and eventually burned down all of the dwellings there. So, this place that had been the heart of the goldrush country was rendered back into a sort of accidental wilderness area. However, the Bureau of Reclamation doesn’t have its own land management rangers. And, during the time the dam was being built and then during the time the dam was delayed, this area was resettled by itinerant goldminers and squatters of all stripes and a good many fugitives from the law who were living in vehicles and makeshift shacks and tents all over the place. What I found there was a state of near anarchy. A good many people were armed; they pretty much did as they pleased and there were at the time when I got there, I think, five rangers trying to get by in those canyons without getting themselves killed.

CURWOOD: And, so there you are, patrolling and trying to preserve a place which by government intention is supposed to go away. What kind of person would choose to protect a place like that?

SMITH: You know, I can’t congratulate myself for ever having chosen that. I more or less arrived there by chance and I probably didn’t leave for reasons I still don’t entirely understand, but partly out of stubbornness. I thought if we couldn’t do a good job as rangers there, then what good was it.

CURWOOD: But, wait a second, it’s all going to go away. It’s all just going to get …

SMITH: Well…

CURWOOD: Swept away.

SMITH: That was our conceit as rangers. I’m using that in the literary sense. We were sent there to bring the area under control after it had essentially descended into anarchy, people were being found in shallow graves and there were sort of disputes over mining claims. They had sent in the Federal Marshals Service for occasional sweeps and that hadn’t worked. So, in 1977, the park rangers that were intended to be sent in later, when the reservoir was finished to run it as a recreational lake, were sent there, merely to get control of it. But, you have to remember that the only law book that a ranger has, is the law book that was designed to preserve these landscapes that make up most of the park system in perpetuity. So, we as rangers, just began enforcing the laws we had and treating the place as if it was a park. And, in some way, I think I knew and I think the other rangers knew that if we could just make it safe to be there, the people who could save that land would come down there and see how beautiful it was and begin working for it.

CURWOOD: So, you joined the cavalry as it were. And, at times your job seems like it could have come out of a classic western novel. I mean, there’s a point where you describe a pretty typical, but it sounds like a dangerous part of that gig which was trying to collect the camping fees from miners living in the canyons. And, I’m wondering if you could read to me from that portion of your book, please?

SMITH: I’d be happy to. “I got out and faced him from the other side of the vehicle hood where the engine block between us afforded some cover if I needed it. He looked at me warily, ‘Is there a problem?’ he asked, arriving at the jimmy. I stepped toward him to stand directly to his right within reach of his gun hand. ‘Could you please put that gun on the hood for me?’ ‘Why? Is there a problem?’ His face darkened. ‘You’ve got a gun.’ His eyes narrowed. ‘So? I haven’t done anything illegal.’ ‘You can’t carry it in this or any other state park campground,’ I replied. ‘This is a state park? No way,’ said the miner, ‘where’s the sign? I thought this was just the American River. Anyway, it’s never been a problem before.’ Beads of sweat were breaking out on my face. O’Leary was out of the jimmy now, but said nothing. ‘Look just put the gun on the hood and then we’ll talk,’ I told him. He gave me a ‘don’t you ever turn your back on me look’ then slowly unholstered the gun and clunked it down on the hot, green steel of the truck’s hood. I moved for it, swiftly but with steadied nonchalance. Once it was in my grasp, I spun the cylinder and dumped the ammunition. The gun was loaded with six 357 hollow points. The miner’s eyes bore through me. When I finished I turned my citation book toward him. ‘What the hell is this for?’ he asked. ‘I haven’t done anything wrong and I told you I’d pay you the next time you come. You don’t have to be a jerk about it.’ The man looked at O’Leary and his tone changed. ‘Hey Ron, you know us, you’ve never hassled us. Tell your rookie to leave me alone.’ ‘Just sign the ticket. It’s not my call,’ O’Leary growled back at the man through his beard and sunglasses. It was plain he wasn’t enjoying himself. I couldn’t tell if he was more irritated at the miner or at me. Turning back to the miner I continued, ‘you have been cited into Georgetown Court. Your appearance date is…’ ‘You can bet I’ll be there,' he snapped back. 'Now, give me back my gun.’

CURWOOD: So, what happened to his gun?

SMITH: Under these circumstances where the gentleman wasn’t a felon, the gun would be taken as evidence and at the time he appeared in court and was either sentenced to a fine or released. A release would be made on the gun and he would then come to the evidence custodian at the ranger station. It would be released back to him.

CURWOOD: So, did he come and get his gun?

SMITH: I believe he did, yes.

CURWOOD: But, by the time that happened, I imagine the word had gotten out about Mr. Jordan Fisher Smith, the rookie on patrol now in American Rivers Park.



Author Jordan Fisher Smith (Photo: Jim Herrington)

SMITH: Well, I just did what, and it wasn’t just me, you know, it was the other rangers, too, all of us, I think, right around that time realized what a hazard we had. There was gunfire all the time on that place. You’d go out, stand in front of the ranger station and you could hear gunshots at all times of day. And, we began going out and just enforcing the park law, which was that you couldn’t carry a loaded gun in the place. And, in the next eight years there, I seized 108 weapons as evidence in these cases.

CURWOOD: Why did you stay as long as you did? What, 13, 14 years?

SMITH: I think there were two reasons. I think that one was that I began to see the incredible beauty of the place. This is a very interesting climate that you have on the west slope of the Sierra. It’s the place where the desert southwest meets the Douglas fir nation of the northwest. The evenings in the summer, I worked a lot of evenings, were the most sort of silky warmth, after the setting of the sun there’d be a period of blue twilight. And, I thought that if I couldn’t be a ranger there, then what good was it? I thought this was maybe something that I was meant to do. Looking back on it, I guess it was a strange form of protest against the dam. Most protests are done by breaking the law and in this case, it was a protest by enforcing the law, the law of parks in a place that was considered worthless.

CURWOOD: Jordan Fisher Smith has been a park ranger for more than 20 years and is author of “Nature Noir: A Park Ranger’s Patrol in the Sierra.” Jordan, thanks for taking this time with me, today.

SMITH: I really enjoyed it, Steve. Thank you.

Related link:
Nature Noir website

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[Grey DeLisle “Joanna” from ‘Iron Flowers’ (Sugar Hill Records - 2005)]

Beetle Mania

Nancy Dahl kneels by a dead piñon tree. (Photo: Paul Ingles)

CURWOOD: In the drought-stricken desert of northern New Mexico, the once common piñon tree is dying at a rapid rate. The thirsty, weakened trees are falling to an aggressive attack by tiny bark beetles. Some foresters say that there’s little to be done to stop the infestation and that the die-off is actually helping to thin out some areas of forests that are dangerously overgrown. But upset property owners are looking for ways to save their piñons. Producer Paul Ingles met someone in Santa Fe who is offering them help by literally listening to the beetles’ side of the story.

[CRUNCH OF NEEDLES UNDERFOOT]

INGLES: Nancy Dahl walks toward a mostly barren hillside, just a few feet from her southwest-style stucco home on the outskirts of Santa Fe.

[MORE CRUNCHING]

DAHL: We’re now standing on what I call “piñon boot hill.” You can see lots and lots of stumps where I’ve had my trees taken out.

INGLES: Dahl says she’s spent thousands of dollars over the last two years having more than 100 dead piñon trees cut down and hauled off to reduce the threat a wild fire might pose to her home.

[HIGHWAY SOUNDS]

INGLES: When she moved here 25 years ago from Michigan, Dahl found a quiet tree-buffered retreat.

[HIGHWAY SOUNDS]

INGLES: Now, the drone of the nearby highway rolls unfettered up this cleared-off hillside, right through the open windows of her home.

[HIGHWAY SOUNDS, BIRDS CHIRPING]

INGLES: Dahl’s view isn’t what it once was either. Across the highway, a hill of undeveloped open space – once a picturesque dense green – is now half brown with wasted piñons. The trees were killed off by the ips confuses bark beetle infestation that started midway through this region’s now four year drought.

DAHL: It’s very sad. It’s very, very sad for me. Really, these are my friends. These trees were my friends.

INGLES: Another friend of Dahl’s, named David Dunn, stands nearby at the edge of a grove of needleless, dead gray piñons that look like the backdrop for a Halloween play. Like me, he wears headphones and has a recording machine slung on his shoulder. But the device connected to his recorder is a microphone like none I’ve ever seen.



David Dunn listens for bark beetles in a piñon tree. (Photo: Paul Ingles)

DUNN: Basically it’s a meat thermometer meets a greeting card.

INGLES: A greeting card?

DUNN: Some of the best of these piezoelectric transducers actually can be found inside greeting cards, particularly Hallmark make really nice ones that they use as little playback speakers. These little things work both as input and output transducers for sound.

INGLES: While Dunn is becoming known for creating unusual devices for recording the quieter sounds of nature, his resume includes classical training as a violinist, composing and performing experimental music and teaching about the properties of sound. But he’s set aside most of that this year for projects that merge his sound gathering skills with the environmental sciences.

DUNN: I think it is essential that at this point historically that artists take a role in collaboration with the scientific world – that artists and scientists work together towards real world problem solving. We need all the help we can get.

[SOUND OF BARK]

INGLES: Like a nurse administering an IV, Dunn gingerly slips the sharp four-inch metal probe at an angle about a half inch into a tree on Nancy Dahl’s lot.

DUNN: Like that, and that’s all we do. Then we listen to see if there’s any activity.

[WHOOSHING OF NON-INFESTED TREE SOUNDS]

INGLES: These Dunn recordings are amplified about six times over so we can hear them. The sounds we hear first are of a non-infested tree.

[NON-INFESTED TREE SOUNDS]

DUNN: And at this stage there’s virtually nothing. But what you do hear is, of course, is the movement of the tree and the wind and its motion.

[NON-INFESTED TREE SOUNDS]



Nancy Dahl kneels by a dead piñon tree. (Photo: Paul Ingles)

INGLES: It’s when one of Dunn’s probes picks up noises like these that he knows a tree is a goner.

[OCCASIONAL CLICKING OF BEETLE-INFESTED TREE]

DUNN: As soon as the beetles are present, then we hear this characteristic sound.

[MORE CLICKING OF INFESTED TREE]

DUNN: The sound of larvae and adult beetle motion. It’s a simple motion within the interior phloem of the tree.

[INFESTED TREE SOUNDS]

DUNN: And ips beetles, even though they’re very, very small, about the size of a small grain of rice, they have a little sound generating organ on the back of their head called a pars striden. And it essentially functions like a gyro, or a percussion instrument that has ridges on it. So they basically can rub this, their middle of their body, against their heads as they move the heads. And they produce sound both intentionally but also, I think, secondarily as just a consequence of motion within the tree.

INGLES: A piñon tree, stressed by lack of water, essentially calls the beetles in by emitting a pheromone that signals it’s too weak to fight. If a beetle started to bore into a healthy piñon, the tree would produce sap to fill the hole and force the beetle out. But without water there’s no sap, and soon the beetles are drilling and breeding and making more of a racket. Here’s Dunn’s recording of a moderately infested tree.

[FASTER CLICKING OF BEETLE-INFESTED TREE]

INGLES: And before long, it sounds like quite a party in a fully infested tree.

[LOTS OF CLICKING OF INFESTED TREE]

INGLES: Even at this stage the piñon may look healthy on the outside, but the beetles have sentenced it to death by spreading a black stain fungus on the inside that moves down through the tree’s root structure. There it may spread on its own to other adjacent trees, or the beetles may themselves take the fungus to the next tree. But looking at, say, three apparently healthy piñons side by side is a bit like trying to guess which shell has the pea under it in a shell game.

HARRILL: From the point of view of the property owner, you’d like to know whether a tree is infected first.

INGLES: Bob Harrill is one of two scientists with David Dunn’s non-profit organization, the Art and Science Laboratory. He’s a doctor of chemistry who’s worked in applied environmental science since the late 1960s. Like Dunn, Harrill likes connecting the worlds of art and science to solve practical environmental riddles like, in this case, which tree has the beetles.

HARRILL: We can go out, insert a probe, listen for the presence of the beetle and tell the property owner that this tree is, or this tree is not, infected. That can help them make the decisions on which ones to spray.

INGLES: And which ones to water, which can also strengthen the tree against the beetle attack. As word of David Dunn’s technique spreads, he’s been asked by more property owners to listen to their trees. He’s happy to help and gather new data, but he says he’s not trying to create a business opportunity. In fact, if clients insist on paying, he suggests a contribution to his non-profit, so he can afford to make even more recordings and design affordable tools to unearth what Bob Harrill thinks may be a rich field of study.

HARRILL: There’s been a great deal of research on what’s called the chemical ecology. How chemicals produced by a tree, for example, might attract a particular pest, like a beetle. But we need to explore more about how sound mechanisms might actually contribute to the interactions between insects and plants.

INGLES: Whether Harrill and Dunn’s work can find utility beyond helping individual property owners save a few trees is uncertain. But their work has some state officials intrigued. Forest Service agents are open to the possibility that there might be some future role in forest management for the noises David Dunn and Bob Harrill are gathering. For Living on Earth, I’m Paul Ingles, in Santa Fe.

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[David Byrne “The Accident” from ‘Look Into The Eyeball’ (BMI - 2001)]

Emerging Science Note/Eye-Catching

CURWOOD: Just ahead: a dozen years after the collapse of their fishing industry and the loss of 30,000 jobs, Newfoundlanders troll for tourists, instead of cod. First, this Note on Emerging Science from Max Thelander.

[SCIENCE NOTE THEME]

THELANDER: Ever since Melville wrote Moby Dick, towering walls of water have filled the lore of mariners. Until recently, there wasn’t much evidence to back up these tales, as most scientific instruments are destroyed by the storms they are intended to track. But this week, the Naval Research Laboratory revealed some startling measurements taken last September as Hurricane Ivan crossed the Gulf of Mexico.

During Ivan, the scientists lucked out as their moorings off the coast of Louisiana managed to survive a direct hit. This allowed them to record what goes on in the eye of a major hurricane for the first time.

One wave measured in at an astonishing 91 feet tall, the largest ever recorded, and big enough to snap a ship in two. Scientists say that some unmeasured waves near the eye wall likely exceeded 130 feet. What’s more, experts now believe that such waves are fairly common within hurricanes, and are not a rogue phenomenon as was once thought. These natural monstrosities may account for ships that have mysteriously disappeared at sea.

The National Weather Service recently upped their hurricane forecast, predicting 18 to 21 named storms in 2005. These super waves don’t pose a direct threat to landlubbers, breaking up before they reach the coast. But they may spell bad news for those of you planning a cruise ship vacation.

That’s this week’s note on emerging science, I’m Max Thelander.

CURWOOD: And you’re listening to Living on Earth.

ANNOUNCER: Support for NPR comes from NPR stations, and the Charles Stewart Mott Foundation, online at mott.org, supporting efforts to promote a just, equitable and sustainable society; The Kresge Foundation, building the capacity of non-profit organizations through challenge grants since 1924, on the web at kresge.org; The Annenberg Fund for Excellence in communications and education; and at the W.K. Kellogg Foundation, from vision to innovative impact, 75 years of philanthropy. This is NPR, National Public Radio.

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[Sheila MacKenzie “Fiddle Medley” from ‘Island Mix’ (PEI Play - 2005)]

Life After Cod

The vanished Newfoundland fishing community of Harbour Deep. Founded in the 17th century, its last residents left in 2002. (Photo: Fred Campbell)

CURWOOD: It’s Living on Earth. I’m Steve Curwood. In 1992, catastrophe struck the once-gigantic Atlantic cod fishery off Newfoundland. Scientists and fishermen suddenly discovered that the Northern Cod had been fished to commercial extinction. A ban on catching cod was put in place, but it came too late. And the fishery has yet to recover. Chris Brookes is a Newfoundland journalist who's watched his fellow islanders grapple with the consequences. His report is part of "Worlds of Difference,” a documentary series on global cultural change.

[MUSIC AND DANCING SOUNDS]

MAN: I don’t know, some people say this is a metaphor for life. You know, life is a big elaborate dance. And it’s all about keeping your feet while the music changes. Because the music does change, right?

[DANCING STOPS]

BROOKES: Okay, this is a recording of the Fort Amherst foghorn. I make a lot of recordings. Like this one. This is the sound of fog, rolling in the harbor past my house. [FOGHORN] When I'm recording, it's the sound of the present. I put the tape on a shelf and when I play it back days or weeks or years later, of course, it’s become the sound of the past. [FOGHORN] A little spool of memory, measuring the gap between then and now. And I feel like there's something sad about the gap, but I don't know why. It’s just things changing.

[FOGHORN]

BROOKES: Of course, this isn't really the sound of fog; fog is something you can't hear on the radio. This is a foghorn: a thing that evolved entirely because of fog. So, it’s kind of like the voice of fog.

[WOMAN’S VOICE HUMMING]

BEST: Okay, how about that?

BROOKES: I made this recording of the singer Anita Best last summer.

BEST: Ready?

BROOKES: A navigational song.

BEST: [SINGING] From Boniface (sp) Cape to the stinkin’ isles, The course is north for 40 miles, When you must steer away northeast till Cape Freeculls (sp) Island bears nor’ norwest. Then nor’ norwest 33 miles, three leagues offshore lies Whattums (sp) Isles, where all the rock you must take there, two miles south scuddies from miles it bears…

BEST: Sometimes songs were used as navigational aids for people who couldn’t really read charts and maps. And you wanted to be able to make the right turns to get around the reefs and rocks and stuff, you know.

BROOKES: So, it’s kind of a sung map?

BEST: Yeah. Oh yeah, absolutely. Yeah, in a symbolic kind of way, yes, we used to sing our way around the world. Like the Australians have the song lines. It’s an interesting idea to find your way around in the world by song.
[SINGING] Therefore, my friend, I would you advise, since with all those rocks and danger lies, that you may never amongst them fall, but keep your love and weather them all.

[SINGING FADES UNDER]

BROOKES: A friend of mine likes to point out that Newfoundland is the oldest non-aboriginal culture in the Americas. Before the Plains Indian had the horse we were here, singing the fishing grounds. Like the foghorn with the fog, we evolved entirely because of the fish, and for five centuries we sang, we danced, we spoke the language of fish. Our culture was their voice. Then, suddenly, the fish were gone.

It was 12 years ago. The tapes on my shelf sound like this.

NEWS MUSIC, NEWSCASTER: In the news tonight, net loss. Atlantic ground fish stocks nose dive amidst warnings of economic disaster in the maritime fishery…[FADES TO MALE VOICE]: It’s a major and social economic catastrophe. It’s the best way of saying it. [FADES]

SAM: There’s always hope. Not much of it. But my mind frame now is telling me that the fish is not gone, it’s moved somewhere. Right? And in time it’ll come back to us. It’s just, you can’t even imagine never having a cod again.

BROOKES: Twelve years later people can imagine it. The cod fishery is still closed, taking 30,000 jobs with it. Lots of people have left--there were 12,000 a year leaving the island at one point. And some fishing communities have died

[HORN]

BROOKES: This is one of them. A place called Harbour Deep. I took my tape recorder there four years ago when it was still alive.

MAN: I remember seven miles….

BROOKES: It was a three-hour ferry ride to get there. No road.

[CAPTAIN ‘BE THERE IN 40 MINUTES…]

BROOKES: The community itself. It was Sunday.

[CHURCH SINGING]

BROOKES: A decade earlier the little church would have been full. But listen to this recording and you’ll hear just ten voices. [SINGING: We will rejoice…] And outside of the church no one was rejoicing. They were talking about leaving.

WOMAN: We’re just packing now, getting ready to go.

BROOKES: Where are you going?

WOMAN: On the ferry tomorrow, going to New Brunswick.

BROOKES: You been here all your life?

WOMAN: Yes, yeah, I’ve been here all my life.

BROOKES: Has it changed a lot in the last few years?

WOMAN: Yes. Yeah. I mean, people are moving out too now, you know, it makes a lot of difference to the place. There’s no in-shore fishery like there used to be. Years ago, you know, everyone would be fishing here, that made a lot of difference. Now, that’s all gone. And there’s not many people around. And that makes it look lonely.

Would you like to have a cup of tea? You said you’d like to have a cup of tea. I’ll give you a cup, too.

BROOKES: Thank you.



The Harbour Deep dance "Running the Goat" (Rick West)

BROOKES: The fish didn't come back, and the people left. A year after I visited, the isolated fishing community vanished from the map. But it lives on as a dance. A dance that for centuries was done nowhere else but in Harbour Deep. A pattern of steps called Running the Goat.

[DANCING SOUNDS, MUSIC]

BROOKES: Let me put that tape back on the shelf for a minute. [CHANGES CASSETTE TAPE] And play you… this one.

[DOOR OPENING]

MALE: The museum.

BROOKES: This fishing community is still here. So far. Petty Harbour.

HARRIS: And this is the picture that was donated to me a little while ago.

BROOKES: Petty Harbour, 1898. As it was then. The only place you'll find a commercial cod fishery here today is in the town museum. Petty Harbour is near Newfoundland’s capital of St. John's - and the proximity to the city gives it a fighting chance for survival. Its little museum isn't that unusual - but the office just down the hall is. The sign on the door says "Petty Harbour Development Corporation."

HAMLIN: My name is Jim Hamlin. And I’m on the Petty Harbour Manage Co. Development Corp.

HUTCHINGS: My name is Nat Hutchings, I’m the mayor of the community.



Petty Harbour plans to build a heritage fishery interpretation center near this wharf to attract tourists. (Bruce Lane)

HAMLIN: I think there’s been a great psychological change. For many people, their lives were totally changed - who they were, their productivity. Your identity is tied to what you can produce. And how you see yourself being productive. And others see you being productive. You know, you take that away, it’s a big change.

HUTCHINGS: It’s more like a culture shock. I mean your culture all your lifetime is the fishery, the fishery. I mean, you eat and you live and you’re breathing the fishery. And all of a sudden, I mean, that’s gone. It’s like a death, it’s so total, and there’s no getting that part back, so after a while, you gotta do something. I believe that’s what the community done. Ninety-nine percent of the community said, I can’t live like this, I got to go on with my life. Our community got to be sustainable. The people in the community said listen, I’m going to do something. I’m not gonna fail.

HAMLIN: The consensus was that people saw that tourism could be a way in which to create new employment, create new business opportunities. And help make the bridge to what, I guess, has become the new economy for us.

[CRAFT SHOP NOISES, WOMAN TALKING]

BROOKES: The new economy at work. This used to be Weir's General Store in Petty Harbour, selling groceries and canned goods to residents. Now it’s the Old Craft Store, offering crafts and souvenirs to tourists.

WOMAN: It’s still an old-fashioned shop….

BROOKES: If the town development corporation has its way, shops like this are just the beginning. Their four-year Strategic Tourism Plan predicts that if they can raise the funds and build infrastructure, the average visitor would drop 25 dollars per visit on food, souvenirs and attractions. That could generate three million dollars a year and 150 jobs.

[PAPER RUSTLING]

BROOKES: This is the architects’ plan here, is it?

MAN: Yes, it’s basically a four-year plan, putting in place basically the infrastructure—you know, interactive history, museum, restaurant--that you need in order to attract people, keep people here. To have people spend their money in our communities.

BROOKES: It’s a tourism industry that you’re basing on the identity…

MAN: What we have now. Basically. Just adding say some infrastructure

MAN: Amenities, right? People want, you know, to see what you have, but they’re consumers too.

MAN: Our philosophy is a change in that we’ve looked for new ways in order to maintain our communities. And one of the new things is the tourism industry.

KIERLY: Okay, here’s how it’s gonna go….

BROOKES: Ironically while the live community of Petty Harbour tools up a four-year plan to catch tourists, the dead community's dance doppelganger is already reeling them in. Not, of course, in Harbour Deep, the community's gone, but in tourist entertainments elsewhere around the island. This one is held in Trinity Bay, and every Wednesday night from June to September Running the Goat dance is a big hit with tourists. Tonya Kierley calls the dance.

[FIDDLE MUSIC]



The vanished Newfoundland fishing community of Harbour Deep. Founded in the 17th century, its last residents left in 2002. (Fred Campbell)

KIERLEY: Harbour Deep is part of that race of communities that’s gone. And what have we got to show? Oh, we got their dance. You know, we have the essence of Harbour Deep in a dance, in a little vial, that I can take out every Wednesday night and open it go look, poof, look here’s some pixie dust from Harbour Deep. And now for a moment – for 25 minutes, we’re all going to be people from Harbour Deep, Running the Goat. It’s disgusting in a way, but completely inevitable and natural and good in another.

For visitors and for locals alike, to be able to dance in a choreographed piece of authentic – it’s a very loaded word there – authentic Newfoundland dance and music is the experience they’re looking for. It is the shoehorn into the cultural experience. I can’t tell you how many people leave the dance hall and say, “You’ve made my stay.”

BROOKES: Teaching a dance like that to tourists, it’s obviously different than a community, which used to do it as its own dance.

KIERLEY: Mmm-hmm. I stopped doing the dance for a long time, actually. Because I wasn’t sure the ends justified the means. Academically, my training is as a folklorist. And the longer that I operated in the tourism industry as a folklorist the more I began to realize that tourism is eclipsing culture and swallowing it up whole. And what they’re spitting out is enough to make your gall rise.
We’re laying down and giving it away. Sometimes it keeps me awake at night. Believe it or not. It bothers me. But, you can get all nationalistic about it, and say, well, know, Newfoundland is not for sale. Go home, filthy tourist maggots. We are not a cultural strip mine. This is ours. It’s not a souvenir. And there’s a lot of people who are like that. But then, Newfoundland, treasure or not, it’s just dancing. So, that’s how I justify it.

[CHEERING IN DANCE HALL]

MAN: You know, it’s all about being able to adapt.

BROOKES: What do you say to the critics who say well, Newfoundland communities refocusing toward tourism is going to turn the place into a kind of a folksy Disneyland?

MAN: Well, there are skeptics. But the thing about it too is do you just throw your hands up and say, is that the end of us as a people? Have we been here five hundred years for that?

MAN: There’s another way of looking at it. We had fish one time. We had employment. We got tourists now. We’re fishers of people basically now, rather than fishers of cod.

[FOGHORN]

BROOKES: So, there'll be a Petty Harbour small boat museum and a Petty Harbour fishery interpretation center and, with luck, the community will thrive. Thanks to heritage tourism that's not unlike the audio tapes sitting on my shelf: spools of memory measuring the gap between how things used to be and how things are now. Between an economy based on the greatest fishery in the world, blindly destroyed a decade ago and one based on the memory of it. A memory recorded, and played back, for others.

[FOGHORN]

BROOKES: For Living on Earth, I'm Chris Brookes in Newfoundland.

[All music original live recordings from producer/reporter Chris Brooks]

CURWOOD: Our story on Newfoundland and the collapse of cod is part of the series “Worlds of Difference,” a project of Homelands Productions - and made possible with funds from the Corporation for Public Broadcasting. For photos from Newfoundland, see our website – Living on Earth dot org.

Related link:
“Worlds of Difference”

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[SOUNDS OF SURF]

CURWOOD: Just in case you’re thinking of cooling off on a hot summer day, we leave you this week on the shores of the Adriatic Sea. Eric La Casa composed this piece from recordings he made of waves hitting the shoreline and swirling in the rocks along the coast near Rovinj, Croatia.

[“Rovinj Croation Sea” from Eric La Casa (EarthEar)]

CURWOOD: You can hear our program anytime on our website or get a download for your iPod or other personal listening device. The address is livingonearth.org. That’s livingonearth.org. You can reach us at comments@loe.org. Once again, comments@loe.org. Our postal address is 20 Holland St., Somerville, MA, 02144. You can call our listener line at 1-800-218-9988. That’s 1-800-218-9988. Ask for Chris Ballman. CDs and transcripts are $15. Living on Earth is produced by the World Media Foundation. Our crew includes Chris Ballman, Jennifer Chu, Ingrid Lobet and Susan Shepherd - with help from Christopher Bolick and Kelley Cronin. Our interns are Max Thelander and Sarah Williams. Our technical director is Dennis Foley. Alison Dean composed our themes. Environmental sound art courtesy of Earthear. You can find us at Living on Earth dot org. I’m Steve Curwood. Thanks for listening.

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